Gray Matterz (Make Zee Records)
Available April 22nd 2016
To many of us she’s best known as the edgy half of Shakepear’s Sister but Marcella Detroit has a enjoyed a distinguished career, working with the likes of Eric Clapton and Elton John and producing a series of fine soul/pop albums since the break up of the bardic sorority, including 1996’s Feeler which is my favourite of her works under the Detroit moniker.
She has also had success as a blues singer with the Marcy Levy Band (that’s her birth name) and been a star of reality TV. She’s a fine guitarist who is clearly happy in many genres but it’s the extraordinary quality of her voice, strong yet fragile, soaring but always threatening to break with emotion that marks her out as something really special and she’s at her best when she allows herself the freedom to really lean into the vocal and showcase her remarkable range and power.
Detroit’s new album is Gray Matterz and it’s a step back from the blues towards classic 80’s style synth pop, recorded by Detroit in her home studio and featuring the lady herself on vocals, computers and real instruments too, and remixed by Paul Drew of DWB Music. In a nutshell it’s electro dance music with proper songs and it’s an album which, given the current resurgence in interest in 80s music and if it gets enough traction, could easily generate some buzz on the retro club scene.
Turn Up The Volume On The Positive may not be the catchiest title ever but with its rapped verses and vocoded chorus, (and electronic hand claps – everbody say yay for electronic hndclaps), it could be a real dance floor filler. Home, an a uptempo tribute to domesticity is another dancer as is Not Just A Number which has the irresisible beat of an piece of early SAW HiNRG.
Lighthouse, a song about depression and being there for people, is the track which gives Detroit’s voice it’s best workout, and What’s The Time In Tokyo is another which gives her the opportunity to show how good she sounds. According to interviews Detroit herself is of the opinion that her voice has improved and got stronger over the last several years, and on this showing no-one is going to argue.
The first single from the album is Drag Queen – which has already proved to be a club favourite, so here it is ….